5/31/12

Movie Review: Bel Ami directed by Declan Donnellan and Nick Ormerod

Bel Ami
Rated R


Based off the writings of French author Guy de Maupassant’s 1885 novel, Bel Ami is a licentious but sensual period piece directed by Declan Donnellan and Nick Ormerod.

Taking place in 19th century Paris, the story centers around one man’s resolve, climbing society’s political ranks through the enigmatic bedrooms of some very influential wives.

After spending many years of service in Algeria, Georges Duroy (Robert Pattinson) finds it difficult to acclimate financially in the ‘City of Lights’. A brief encounter with former comrade Charles Forestier (Philip Glenister) proves fruitful, as Duroy is offered a journalist position at a local paper. With the assistance of Forestier’s wife, Madeleine Forestier (Uma Thurman), who ghost writes his first article, Duroy begins his assent of lies and deceit. Working his way through the social circles of the more fortunate and most importantly, influential people of Paris, Duroy quickly learns that it is not the men of wealth that hold the power, but the women behind them. In a game of dangerous liaisons, he begins extramarital affairs with a friend of the Forestiers’, Clotilde de Marelle (Christina Ricci) whose absent husband makes her vulnerable to Duroy’s seductions along with Virginie Walter (Kristin Scott Thomas), wife to owner and chief editor of ‘La Vie Française’, Monsieur Walter, who simply falls prey to Duroy’s vengeance.

With beautiful settings and elaborate costumes, it is hard not to be consumed by the film’s glamorous depiction of Paris; the soft illuminated tones of light, quietly subduing its true intent of sex and deception. Yet beneath the umbrella of allure, is a story of a man with no likeable qualities to him, other than the fact that somewhere in his cold heart of treachery, there must be a hidden smidgeon of decency to understand the depths of his despair and despicableness. Arguably, his call to rise through the inner rankings of the elite is admirable, considering we had never seen such tenacity from a man’s point of view. But in his defense, the players to the game are all well aware of what roles they willingly participate in and no one character is sinless.

In addition, Pattinson’s performance is very good and brings a certain rawness to an otherwise, very detestable character. There are some very powerful scenes that really cause one to think of the symbolic meaning behind them. In one scene, Duroy is alone in his debilitated apartment, loathing in his own misery as a roach crawls by, we can only presume a likeness to his persona. In a more poignant scene, Mme Forestier gives into Duroy’s pleas to be intimate, but does so in a manner that echoes the loss of his masculinity, as she hovers above him while his face contorts in humiliation and shame.

Overall, I was sort of entranced by the methodical aspirations of Duroy as he blossomed into a complex sexual predator, and though I would not have imagined such a diverse cast of actresses to play his counterparts, found the chemistry between Duroy and his lovers, mesmerizing. ‘Bel Ami’ is a deliciously dark well told story with elaborate backgrounds, political games, and adulterous affairs that make the story enticingly intriguing. In the end, I think it is well worth the watch giving it four out of five stars for Pattinson’s portrayal of Duroy, alone.

‘Bel Ami’ premieres in selected theaters June 8th and is on VOD now.


5/30/12

Book Review: Divergent by Veronica Roth

Divergent
Author: Veronica Roth
Genre: Teens Fiction (Sci-Fi, Dystopian Society)
Hardcover: 496 pages
Publisher: Katherine Tegen Books (May 3, 2011)


Books Summary: In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can't have both. So she makes a choice that surprises everyone, including herself.

Side Note: I grabbed this book at the recommendation of a Barnes and Noble employee who told me that the second novel in this series was literally flying off the shelf. Intrigued, I grabbed Divergent.

My Review: Though I am very familiar with the dystopian themes, I had wondered if I really would be entertained by another series that embodied the same plot of a young teen struggling in a post apocalyptic nation. However, I was clearly wrong. There is something completely tangible in such a setting; a vulnerability that seems to connect with us, no matter how many times we come across a film/novel of such. We are saddened, but relate nonetheless. And what I found of these reoccurring themes is the feeling of hope; hope that the child will prevail, hope that the character will not lose its ability to feel empathy, for as I learned from the brilliant author, Phillip K. Dick (‘Do Androids Dream of Electric Sheep?’), empathy is what sets us apart.

Divergent from the beginning was effortless. Through Beatrice’s point of view, we learn what it is like living as an Abnegation resident—humbled and subdued, almost void of emotion. But in this society as a child becomes of age (16), they must choose which faction they will forever reside in, with the assistance of a test that they will take. This can pose problems if the young teen find themselves wanting to live their adult years in a different faction, for once a child chooses, he/she will remain in their new faction with little to no contact with the home/family that he/she had known growing up. Without divulging spoilers, it is here that the story becomes addicting, so much so, that I could not put this book down.

I found Beatrice fascinating and her choices in her emerging adulthood, nail biting. The interaction between her family was heartbreaking (especially the exchanges between her mother) but the interaction between her and her comrades, fascinating. As Beatrice was coming of age, discovering what it is that she wants and believes in, I as the reader learned more and more of the world in which she resided in. You come to understand her choices and why she feels what she feels. In fact, Beatrice is quite the character in the book, and truly her growth and her realization of society and its false prophets is what gives the book so much substance.

Though there are some scenes that depict graphic content, I did not find any of the material offending. It was as if you understood as a reader, that it was about making the right choices and understanding the consequences of those choices.

In the end, I literally carried this book with me everywhere, catching moments of reading whenever I could. I have not done that in a long time with any novel. Something to be noted… All I can say is that I loved this book and cannot wait to read the second, ‘Insurgent’. One word to sum it up: Addicting. Enough said.


5/23/12

Battleship directed by Peter Berg

Battleship
Rated PG-13


"Battleship" is a Sci-fi action film directed by Peter Berg (Hancock), based on the Hasbro board game of the same name. When we finally find a planet with similar qualities to our own, scientist send signals out to the sister planet, nicknamed Planet G in hopes of establishing some form of communication with a reciprocating life force. The only real issue is, that life force has arrived and with hostel intentions.

Taking place in Hawaii, the film opens with the introduction of two of our main characters, an apathetic younger brother named Alex Hopper (Taylor Kitsch) and his older brother, naval officer Stone Hopper (Alex Skarsgard). The two share a drink one night as Stone reprimands Alex for wasting his youth, all the while Alex becomes entranced by a young blond named Samantha Shane (Brooklyn Decker) who just happens to be the daughter of the admiral of the fleet (Liam Neeson). Ridiculousness ensues as Alex becomes determined to get Samantha’s attention by breaking into the mini-mart across the street in an effort to get her a chicken burrito (bare with me). After being assaulted by police and arrested, Stone gives his younger brother an ultimatum; join the Navy or else. These scenes are over the top and to be honest, hopeless in an effort for the audience to connect in any way to the characters. At this point, it feels like an old 80’s surf comedy. But, once we get past the introductions and bit humor that is imposed upon us, we get to the grit of the story. Flash forward… Alex has joined the Navy and it’s RIMPAC time (one of the largest maritime exercises conducted biennially in Honolulu Hawaii).

Conveniently, this explains how a fleet of naval ships happens to be out in the Pacific when low and behold, we are visited and assaulted by aliens. Though the beginning of the film is mundane, there are some pretty neat battle scenes when the story picks ups after the arrival of other worldly beings. This is where the war between the unknown and some of the very best naval officers come into play. And for fans of the board game, there are some ingenious inclusions that pay homage to the game from the missiles launched by the Aliens resembling board pegs, to the later reduction of strategic warfare using a grid map and the rise and fall of buoys as a means to scout locations with many of us older audience members whispering the infamous words, “you sunk my battleship!”

Though much of the fighting between the enormous alien aircraft and our warships is fought off the shore of Oahu, many of the predicaments in which we observed were so farfetched and unbelievable that you have to take this film for what it’s worth (on the level of Transformers 2). Our only complaint lies with the development of the characters and the story itself, from the obscurity of an alien aircraft making its trek to Earth, only to hop and bounce in the water while our battleship pummels it, to the convenience of our main character’s girlfriend being at just the right location, at just the right time to assist in ultimately, saving the earth. But if you can get past the dubious story, there are some fun actions sequences to be had. And who doesn’t love an old timer, with an impressive resume to bat. Yes, the U.S.S. Missouri “Big Mo” makes an appearance and we don’t care who you are, there is something heroic and nostalgic in those scenes. Overall I did like the movie, and probably think it would be a great DVD rental if you don’t mind waiting. I give it a three out of five stars for its entertaining war games.

Battleship is in theaters now.


5/15/12

LA Film Fest Community Screenings


Being from Cali, I have an interest in what goes on there. Nonetheless, you know how much I love movies, so I'd thought I'd share some things to check out if you are close by. 

The LA Film Festival runs from June 14-24. There are some great things to check out, including the opening night film, Woody Allen's To Rome With Love and Soderbergh's Magic Mike as the closing film. There's even a program that will be presented by Danny Elfman where he chooses clips from various movies that feature his most favorite pieces. How cool is that?

But I'm straying from what I wanted to share. There are free community screenings! Hey, it's free and a fun way to see a film with your children if they have never seen it. The list of films that will be hosted for community screenings this year are: 


• E.T.: The Extra-Terrestrial (1982) – (DIRECTOR Steven Spielberg WRITER Melissa Mathison PRODUCERS Kathleen Kennedy, Steven Spielberg CAST Henry Thomas, Drew Barrymore, Dee Wallace, Robert MacNaughton, Peter Coyote) – Steven Spielberg’s classic tale of a kind-hearted little alien who miraculously befriends a precocious young boy remains as touching, delightful and inspiring today as it did when it first premiered thirty years ago.

• Dirty Dancing Dance-A-Long – (DIRECTOR Emile Ardolino WRITER Eleanor Bergstein PRODUCER Linda Gottlieb CAST Patrick Swayze, Jennifer Grey, Jerry Orbach) – Celebrate this romantic, music-packed classic with an evening of audience participation under the stars. We’ll dance, laugh, and reminisce as Swayze reminds us all that “nobody puts Baby in the corner.” Produced in cooperation with Dance Camera West and Grand Performances.

• G-Dog – (DIRECTOR/PRODUCER Freida Mock FEATURING Greg Boyle) – A look at Father Greg Boyle, aka G-Dog, as he and his Homeboys and Homegirls struggle to keep one of the country’s leading gang intervention programs afloat during troubling economic times. ★ World Premiere

• The Invisible War – (DIRECTOR/WRITER Kirby Dick PRODUCERS Amy Ziering, Tanner King Barklow) – In this devastating exposé of injustice, Academy Award-nominated documentarian Kirby Dick uncovers the epidemic of sexual abuse that pervades America’s military system, in which over 500,000 US soldiers have been victimized.

• LUV – (DIRECTOR Sheldon Candis WRITERS Sheldon Candis, Justin Wilson PRODUCERS Jason Michael Berman, W. Michael Jenson, Gordon Bijelonic, Datari Turner, Joel Newton, Common, Derek Dudley CAST Common, Michael Rainey Jr., Dennis Haysbert, Danny Glover, Charles S. Dutton, Michael Kenneth Williams) – Boasting stellar performances, Sheldon Candis’ feature directorial debut is a riveting portrait of a young boy learning some harsh truths at the side of his uncle, who has recently been released from prison. Project Involve Screening.

• Star Trek II: The Wrath of Khan (1982) – (DIRECTOR Nicholas Meyer WRITERS Jack B. Sowards, Nicholas Meyer PRODUCER Robert Sallin CAST William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, George Takei, Nichelle Nichols, Kirstie Alley, Ricardo Montalban, Paul Winfield) – When a long-forgotten enemy reappears, thirsty for vengeance, Captain Kirk takes the helm of the USS Enterprise once again in this action-packed fan favorite of the long-running franchise.

I don't know about you, but I like free. Just make sure to find out in advance how they will be distributing tickets for the free screenings. You can reach the box office by calling 1-866-FilmFest (1-866.345.6337)

5/14/12

Book Review: Beautiful Disaster by Jamie McGuire

Beautiful Disaster
Author: Jamie McGuire
Kindle Edition 361 Pages


Goodreads Book Summary: The new Abby Abernathy is a good girl. She doesn’t drink or swear, and she has the appropriate percentage of cardigans in her wardrobe. Abby believes she has enough distance between her and the darkness of her past, but when she arrives at college with her best friend America, her path to a new beginning is quickly challenged by Eastern University’s Walking One-Night Stand.

Sidenote: While scanning Goodreads for the book summary, I stumbled across some very heated reviews regarding this book and among them, other issues. It’s unfortunate that I came across those because a review is really just an opinion on whether someone enjoyed the book or not. And that is all I’m going to comment on and hope to give you.

My Review: Initially, I was not drawn into the story about a young college freshman named Abby, because she felt too out of character; maybe a little mature for her age. She meets a handsome, charismatic guy who happens to be the cousin of her best friend’s boyfriend and she is instantly repelled by him. But, the point is her actions never feel believable for a girl her age with little experience. However, as you read further you begin to understand that Abbey has a supposed dark background and because of the way she was brought up, had to grow up quickly.

And then on the opposite spectrum, we have our resident bad boy, Travis Maddox. Known as the school’s promiscuous player, Travis pays his tuition by engaging in underground boxing matches (basically, Fight Club). He is tatted, fit and roommates with his cousin Shep, who happens to be dating America… You got it. Abbey’s bestie.

Refusing to be another notch on Travis’s belt, Abbey does everything she can to distance herself from him. But, as time goes on they begin to have a love/hate friendship that clearly is more love, than hate. Their only issues really lie within themselves. Abbey’s past--Travis’s behavior. All catalyst for what at times, feels like a very volatile and troubled relationship. That in itself, would have been enough for two young college kids, but, this is where I lost favor with the story. Not only are there personality conflicts all throughout the story, but situations arise that nearly put these two in danger many times over. For my liking, I found it a bit much.

Yet, truth be told, even with Travis’s questionable behavior, and the sometimes ridiculous plot points, I still liked the book. There’s just something sincere about Abbey and Travis trying to work through their issues, and I went along for the ride. And I hate to say this, but I sort of sympathized with Travis. I might have pictured a psychologically disturbed Brad Pitt entering some dark dank area for his unannounced fights, but I get the kid was broke and just needed money. I don’t know, oddly the story worked for me, and overall, I liked it.


5/10/12

Movie Review: Dark Shadows directed by Tim Burton



Dark Shadows
Rated PG-13


The Tim Burton film is based off the cult classic Dark Shadows television series (1966-1971) and follows Barnabas Collins, after his unexpected return from the grave.

The beginning of the film demonstrates why we all love Tim Burton, with his gothic interpretation of a family whose ventures take them from Liverpool, England to the new found land of America of 1752, settling along the abundantly thriving seas of Maine. We watch the town prosper and grow with the Collins family, whom the fishing village soon becomes named after. At the height of their good fortunes, a manor is constructed, while their young son Barnabas (Johnny Depp) emerges into adulthood. Toying with the affections of a young maid (Eva Green), Barnabas soon after declares his love for another woman (Bella Heathcote) named Josette, much to the young maid’s disapproval. Scorned, the young servant uses her witchery to murder his parents and place a curse on his lover, causing the young woman to inexplicably plummet to her death, while damning Barnabas to become a vampire forever. With hatred running through her veins, she continues to torment him by finally abolishing him to a tomb, burying him in the ground for all of eternity. That is, until he is unearthed by construction workers. The year is 1972.

By far, the tone set in the beginning of the film is the best. Dark, and wonderfully constructed, the initial storytelling of how Barnabas came to be is Burton’s peak of the film. I could have watched the entire story, based off the spirit of the intro. But, once we enter the world of the 70’s, the story sort of settles into a less magical, more benign mood. Still, it’s not that bad. Though the film tries to employ some humor, it lacks any real identity and the story sort of feels childlike in essence but not unbearable. Depp however, does do an amazing job of portraying Barnabas and his vision of a stifled vampire dealing with the changes of a modern world is quiet humorous at times and really carries most of the film. But, his counterparts unfortunately, were not quite as exciting.

Michelle Pfeiffer plays Elizabeth Collins Stoddard, matriarch of the manor and alongside her are her impudent daughter Carolyn Stoddard (Chloe Moretz), her self-serving brother Roger Collins (Johnny Lee Miller), his young son David, who also sees ghosts (Gulliver McGrath), the son’s drunken therapist Dr. Julia Hoffman (Helen Bonham Carter) and his new governess who looks exactly like Josette, Victoria (Bella Heathcote). They are quintessentially, a hot mess and financially broke.

Much has changed in the centuries since Barnabas has been gone and it becomes his goal to restore the family fortune and honor within the town. But not without a fight from his family’s fishing company competitor, owned by none other than Angelique, the witch who was betrayed. And so the Beetlejuice antics begin.

In summary, the film was not quite as dark as I would have liked it, but thankfully, not as comedic as the trailers led us to believe. It is because of Depp’s performance, that I admit made the film enjoyable and ultimately a fun movie. And don’t be dismayed by anyone who may claim this is Burton’s worst film to date. Worst film? I can assure you not. That will always remain with his Batman renditions (sorry, I hated them!)

So though I would have preferred a really gothic, dark and brooding film, I think Burton did a great job. The characters might not have lived up to their potential, but Depp did. And even with a lighthearted plot, it’s still worth seeing. It’s Tim Burton for goodness sakes! Have fun and see the movie.I'm going to go ahead and lean toward the four stars, because who am I kidding, I enjoyed the film.

Dark Shadows opens in theaters May 11, 2012.

UPDATE: (I apologize for the misspelling of Barnabas. It has since been corrected.)



5/3/12

The Avengers directed by Joss Whedon


Rated PG-13

Based on the 1963 comic book series, Marvel Studios and director Joss Whedon (Thor) bring to the big screen the assemblage of the ultimate team of super heroes, “The Avengers”.  Fans can rejoice, “The Avengers” is everything they hoped it would be and a bag of chips. It’s that good!

When mankind is threatened by Thor’s (Chris Hemsworth) adoptive brother Loki (Tom Hiddleston), who steals and harnesses the powerful energy derived from an ominous cube called the Tesseract, he calls upon other alien life forces to help destroy and ultimately dominate the Earth. Nick Fury (Samuel Jackson) who heads SHIELD, the Strategic Homeland Intervention, Enforcement and Logistics Division, must gather together the only team that can put a stop to such forces. Nicknamed after an earlier project, The Avengers consists of Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), the Hulk (Mark Rufallo), the Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner).  Oh, but this is not your run of the mill strategic operative team, this is a convergence of awesomeness that reeks of snarky banter and self indulgence, but ultimately, a will to do what is right and protect the balance of the universe by kicking some major alien… You get the picture!

Ultimately, Loki unleashes his foreign friends through a portal that is created using the tesseract, sending beasts and alien soldiers upon the unsuspecting inhabitants of Manhattan. The Avengers and their skills are tested, as they must first learn to trust each other and work together, if they have any hope of saving the world… or at the very least most of New York.

When thinking of super hero films, one tends to find the plot very formulaic. Reluctant hero pitted against a villain with daddy issues who believes taking over the world will help ease the pain. Hero prevails, but not without getting really beat up. The End.


But, what makes “The Avengers” so much better than its predecessors; the ability to bring together many super heroes in the same universe and time, with plenty of destructive action from the beginning to the end accompanied with well written dialogue that seems to poke fun at each hero’s abilities. It is in a sense, capitalizing on its own past achievements and Whedon makes no qualms about it. If you got it, flaunt it! That is why the film works so well--the sum of all its parts making for one incredible ride, and you don’t have to be comic geek to enjoy it.  We might add that we were especially impressed with the visuals (including fit super heroes in tights) and thought the fight sequences were exceptionally exciting (not to mention some unreal fighting by Black Widow). In the end, I loved it and found a new adoration for The Hulk who had me laughing out loud at his antics. He is by far, my new favorite Avenger!

The Avengers hits theaters Friday May 4, 2012. Don’t miss it!

Cast and Credit:
Directed and Co-written by Joss Whedon
Robert Downey Jr. -Tony Stark / Iron Man
Chris Evans - Steve Rogers / Captain America
Mark Ruffalo - Bruce Banner / The Hulk
Chris Hemsworth - Thor
Scarlett Johansson - Natasha Romanoff / Black Widow
Jeremy Renner - Clint Barton / Hawkeye
Tom Hiddleston - Loki
Clark Gregg - Agent Phil Coulson


 
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